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Fashion Plate Friday: April 1841

4/24/2020

7 Comments

 
Picture
​Godey’s Lady’s Book
April 1841
Description of Fashion Plate
 Fig. 1. – Dress of poux de soie ; blue shot with pink.  The corsage is plain at back and half high ; the fronts also tight to the shape, but only meeting at the very waist, being sloped away in the form of a V, and trimmed with two rows of falling lace.  The skirt is without garniture, save a hem of itself about a quarter of a yard in depth ; the sleeves are plain and loose, cut out on the straight way of the material ; they are not confined any where, and reach only midway of the lower arm, the buttons of the sleeves being turned up like cuffs, (see plate), in order to display a pair of under sleeves, made of fine India muslin ; these sleeves belong to a corsage, the front of which is to be seen ; it has drawings across like the sleeves, and is finished at top by a row of narrow lace edging ; deep ruffles of lace fall over the hands.  The hat is of white crepe lisse and has three flowers at the side ; the strings are of crape lisse, with a very fine satin piping all round, and edged with narrow blonde.  It will be perceived, that the crown of the bonnet sits so flat that it is not at all perceptible in front.  Flowers underneath the bonnet.
 Fig. 2. – Dress of white book muslin.  The corsage is precisely the same as the one just described, except, that instead of being trimmed with two falls of lace, it has two frills of muslin small plaited, and put on with a bouillon, through which a ribbon may be inserted at pleasure.  This trimming is continued down the front of the skirt of the dress, the bouillon small plaited, and inserted down the centre of the front ; a glance at out plate will suffice to make this intelligible.  The chemisette, appearing in fornt, is richly embroidered.  The sleeves of this dress are plain at the shoulder, and the remainder nearly tight.  Gauze cap trimmed with satin ribbon ; the cap is without strings to tie.  Hiar in bands, brought low at the sides of the face, where it is turned up again.
 Fig. 3. – The corsage almost similar to that of figure 1, differing in having a ribbon run through it, (see plate).  Bishop sleeves, pointed cuffs, with a cap at the top of the sleeve trimmed to correspond with the collar.  Rosette and ends at the waist, coloured silk skirt, a wide flounce and heading pinked out.  Bonnet of fancy lace, trimmed with lace and flowers.
 
 Fig. 4. – Dress of silk or muslin, with tight sleeves, lace waist, made of puffs and with caps on the sleeves to put on over the dress ; the waist finished with cord and tassel ; one extra wide flounce.  Drawn bonnet, cottage form, trimmed with wheat and ribbon. Light fancy sash.

7 Comments
Bernice link
6/1/2020 08:55:12 am

Timely tresses, I love this fashion illustration from April of 1841, and they picture that you post. Pretty and trimmed modestly!

Reply
https://uk.eliteassignmenthelp.com/ link
11/23/2022 08:26:43 pm

As part of a series of articles on rare, 19th century magazines, I have another fashion plate to show you from the edition of La Belle Assemblee dated April 1841. You can see the entire issue here and get a feel for the type of information you can find, as well as information on where to find it.

Reply
Personalised Beanie Hats link
6/25/2025 05:07:11 am

What a lovely glimpse into 1840s fashion! I enjoyed seeing the details from the April 1841 fashion plate. The styles, colors, and accessories are so elegant and fascinating. Thanks for sharing this bit of fashion history, it’s always a treat to see how styles have changed over time!

Reply
leather motorcycle jackets link
2/4/2026 03:10:06 am

Awesome article. I’ve always loved leather motorcycle jackets, but I didn’t realize how important proper fit is for safety until now.

Reply
Daffodil Designs link
3/19/2026 11:44:29 am

I love how these dresses showcase different styles for various occasions.

Reply
Tophatter's Inc. link
4/7/2026 06:56:15 am

This is such a fascinating glimpse into 19th-century fashion—thank you for sharing it in such detail. The descriptions alone feel almost like reading poetry, especially the way fabrics and silhouettes are described with such care and precision.

I love how much emphasis was placed on structure and layering—corsages, undersleeves, chemisettes—all working together to create a complete look. It really highlights how intentional fashion was at the time, not just in appearance but in craftsmanship. The detail about sleeves being turned up to reveal delicate muslin underneath is especially charming—it’s those little design choices that make these styles feel so refined.

It’s also interesting how modesty and elegance seem to go hand in hand throughout all four figures. Even with decorative elements like lace, ribbons, and flounces, everything still feels balanced and restrained rather than excessive.

Posts like this really bring historical fashion to life. It makes you appreciate how much storytelling can be found in clothing from another era!

Reply
JESSICA link
4/7/2026 06:56:43 am

What a beautifully detailed description—it's amazing how much you can visualize just from the text alone. The level of craftsmanship and layering in these garments really stands out, especially with elements like lace falls, embroidered chemisettes, and those delicate under sleeves.

I’m particularly struck by how each variation keeps a similar structure while introducing subtle differences in trims and fabrics. It shows how fashion at the time evolved through refinement rather than drastic change. The bonnets, too, sound incredibly elegant—so carefully styled to frame the face without overpowering it.

It’s also interesting how practical and decorative features blend together, like cuffs turned up to reveal finer fabrics underneath. There’s a real sense of artistry in even the smallest details.

Thank you for sharing this—it's a wonderful window into the aesthetics and values of the era.

Reply



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