Menu
Timely Tresses
  • Home
  • New and Featured Items!
  • Items by Era
    • Late 18th Century
    • The Regency Era 1795-1819
    • The Romantic Era 1820-1837
    • Early Victorian Era 1838-1853
    • Era of the Hoop 1854-1865
  • Frippery
    • Ribbons
    • Flowers and Leaves
    • Feathers
  • Bonnets
    • Patterns and Kits
    • Forms
    • Completed Bonnets
    • Untrimmed Bonnets
    • Sun Bonnets and Hoods
  • Books
  • Hair Ribbons and Nets
    • Brunette Nets
    • Grey Nets
    • Blonde Nets
  • Digital Downloads
  • Other Items
    • Caps and Veils
    • Fabrics
    • Hair Dressing and Pins
    • Millinery Supplies
    • Neck Bows and Cravats
    • Fig Leaf Patterns
    • Stockings
  • About
  • Updates
  • Contact
  • Home
  • New and Featured Items!
  • Items by Era
    • Late 18th Century
    • The Regency Era 1795-1819
    • The Romantic Era 1820-1837
    • Early Victorian Era 1838-1853
    • Era of the Hoop 1854-1865
  • Frippery
    • Ribbons
    • Flowers and Leaves
    • Feathers
  • Bonnets
    • Patterns and Kits
    • Forms
    • Completed Bonnets
    • Untrimmed Bonnets
    • Sun Bonnets and Hoods
  • Books
  • Hair Ribbons and Nets
    • Brunette Nets
    • Grey Nets
    • Blonde Nets
  • Digital Downloads
  • Other Items
    • Caps and Veils
    • Fabrics
    • Hair Dressing and Pins
    • Millinery Supplies
    • Neck Bows and Cravats
    • Fig Leaf Patterns
    • Stockings
  • About
  • Updates
  • Contact
  • 1795-1819
  • >
  • Fig Leaf Patterns® 245: Morning Gown, c 1800-1820

Fig Leaf Patterns® 245: Morning Gown, c 1800-1820

  • Facebook
  • Twitter
  • Pinterest
  • Google+
$23.00
$23.00
Unavailable
per item
SKU:
Add to Cart

The Morning Dress opens on the left side and has an asymmetrical bodice. The

right side covers almost three quarters of the front of the bodice and has a single

dart for each bust point. The left side only partially covers this side of the body

and contains no darts. The sleeves are long and narrow and end in three rows of

cording inside the 2 3/8” sleeve cuff. The right and left front skirts are also asymmetrical;

but the side gores are equal in size. There is one single center back panel.

The shape and length of the skirt is fairly typical of the early 19th century. The

Ruffle is made from a sheer light weight fabric which starts at the neck, goes down

center front and around the hem.

FIT:

The very high period waist is higher than what a woman in the 21st century would

wear and cannot be easily achieved without some form of

corsetry. This dress would have been worn over a chemise,

corset, and with at least one petticoat.

FABRICS:

Dress: The original fabric is a white, lightweight dimity or

corded cotton with a soft drape. The pattern works well in various

weights of cotton. The usual color is white.

Ruffle: sheer white cotton.

CHOOSING SIZE:

When deciding which size is correct for you to use, measure

your rib cage under your bust, preferably with your corset and

underpinnings on. This is the single most important measurement.

Since the cross-over front is asymmetrical and tied with

a sash, it can accommodate a variety of bosoms.


The original dress is in the collection of Locust Grove Museum in Kentucky.

Proudly powered by Weebly