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From the Collection of Ernest
Dollar
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The Crinoline Era
1850-1859
Click on
pattern name to see further
descriptions and views. |
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The Verretta Louia
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sometimes
referred to as the round
cottage, recreates the early 1850's
circle and the mid 1850's oval.
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The Lavinia Ruth
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A family of bonnets
spanning the late
1840's to the early
1860's. The ba volet
juts from the bonnet
points to the middle
of the bonnet
and rounds
the crown.
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The Juliana Rose
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Initially appearing in the fashion
pages in 1854. This
low brimmed bonnet sits extremely
far back on the head.
The brim rises above the
forehead as the 1860’s approach.
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The Flora Francine
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A three piece bonnet with a flat tip,
first appearing in the American fashion
plates in 1855. Creates the late
1850's circular and oval shapes.
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Choosing an 1850's
Bonnet
In the Fashion Pages
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Graham's Magazine |

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1850
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Peterson's Magazine |

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1853
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Godey's Lady's Book |

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1854
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Godey's Lady's Book |

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1855
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Godey's Lady's Book |

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1857
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Peterson's Magazine |

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1859
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In
Practical Millinery
At the
beginning of the 1850's, the cottage bonnet
morphed into a thimble-like shape. The front
corners began to descend into narrow points that
would meet under the chin creating an extremely
round shape around the face. As the 1850's
progressed, the bonnet brim shortened, but
flared out with enough depth to keep the lovely
round shape around the face. By 1855, the brim
shortened further with the whole bonnet
sitting very low on the crown. The shape
transitioned easily into the fashionable low
brim bonnet of the mid to late 1850's.
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